2/29/2024 0 Comments Amadeus Pro instaling![]() The soundtrack is enriched with excerpts from the great poem De rerum natura (About the Nature of Things) by Lucretius, a Latin philosopher of the first century BC. I improvised on the keyboard, following the original structure of the hymn,” revealed Landry. “The music comes from a mass I wrote in 1985, from which I took the ‘Gloria’. He has composed for the occasion a post-minimalist style of music with stretched lines that are familiar to the ear, made of layers of synthetic strings imitating organ chords. “Here, I didn’t have to do anything! The light is already so extraordinary, especially the way it changes throughout the day,” added Wilson.Ĭomposer Richard ‘Dickie’ Landry (b.1938) has been a companion of Bob Wilson since the effervescent years of New York with Robert Rauschenberg, Philip Glass, and Trisha Brown. It took some time to figure out how to work in such a place, because of the reverberation time and the way you perceive sounds,” said the director. “It’s very different from staging for the Paris Opera, as an example. In Gloria, an experience running six times a day and lasting twenty-five minutes, Wilson creates a dialogue between music and words and the light passing through the windows of the upper chapel, an exceptional witness to the art of stained glass in the 13th Century. The Sainte-Chapelle, built during the 13th century at Saint-Louis’ request, is a place involving a number of challenges. When the Centre des Monuments Nationaux (CMN) gave Bob Wilson a ‘carte blanche’, no surprise if, instinctively, his choice fell on this location. The impression remained in me for many years.” Wilson said: “Discovering how beautiful this piece is has been an overwhelming experience. Then others will come to visit the monument and have the chance to discover it on this occasion, that’s what’s extraordinary.” “Some visitors will come to hear Bob Wilson. It gives a new intensity to this visit experience which is already very strong,” agreed Cécile Rives, administrator of the Sainte-Chapelle. “It invites us to look at this monument, these windows, in a different way. We felt that his perception of space, his mastery of sound and light could bring a lot to a monument.” “Bob was one of the artists I wanted to invite, to mark the 50 years of his presence in Paris. “We have a determined policy of inviting contemporary artists because heritage and creation must work together,” said Philippe Bélaval, President of the Centre des Monuments Nationaux. It is to celebrate half a century of success in France, since Le Regard du Sourd in Nancy (1971) and the first Autumn Festival in Paris (1972), that the president of the Centre des Monuments Nationaux, Philippe Bélaval, invited ‘Bob’ Wilson back, ‘a magician of light and sound’ (according to the invitation) who renewed, in his own polished and hieratic way, the art of dramatic and lyrical stagecraft. He felt “the same strong emotion” when he returned to the royal building to finalise the preparation of ‘Gloria’ a 360-degree sound installation which is performed every Saturday and Sunday from October 8 to December 31, 2022. Hailing from Waco, Texas, Robert Wilson was 17 years old when, during his first trip to Europe, he discovered the Sainte-Chapelle, a jewel of Gothic art radiating on the whole Île de la Cité, in the heart of Paris. My stream-listing-app will be just a slightly modified version of that example.World-renowned director Robert Wilson, known for his avant-garde theatre works, has created an immersive sound installation entitled ‘Gloria’ at the famed Sainte-Chapelle church in the heart of Paris, which utilises 15 Amadeus loudspeakers. You run it simply with "cargo run -example enumerate" It's easy to compile, but you need rustc and Cargo installed. You can use the "enumerate" example from CPAL: GitHub - RustAudio/cpal: Cross-platform audio I/O library in pure Rust I forgot about the terminal app to list streams, sorry! Then again, if you are actually going to do any filtering, then the whole bit-perfect idea just vanishes. For now, if you want a factor 0.5, put -6.020599913279624 dB which is so close that the difference will be lost in the rounding. I have planned to add a linear gain option, where you just specify a multiplication factor like 0.5 instead of a gain in dB. It doesn't matter where in the chain you put attenuation, the final result will be the same in any case. This means that dividing by 2, 4, 8 etc doesn't lose any bits, just the exponent changes. Click to expand.All internal calculations are done with 64-bit floats: Double-precision floating-point format - Wikipedia
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